Read a selection of my political poems
The ballad of Lampedusa
a cold storm throws foam & stones
on the coast of Sicily
a grecale blows
nothing to hinder it
between here & the Peloponnese
& I sit by a window translating
a poem about people drowning
half-way to Africa
almost in Tunisia
in Lampedusa
geography is indeed a destiny
that waterless rock
those warm seas
the dead come ashore like drowned birds
halfway to Africa
in Lampedusa
the oil-black flotsam of my childhood
gannets & gulls clogged in crude
the rainbow slick under a summer sun
Europe is a prison not a fortress
we know it now
we who chose it
here on the old Greek shore
or halfway to Africa
in Lampedusa
an old storm tumbles us
onto a stony road
the dim light of a house
has no welcome
what language do they speak
what angry or timorous gods
by what secret or social code
do they greet poor strangers
halfway from Africa
in Lampedusa
I met a man from Senegal
he came the good way he said
don’t they all
he sold small animals of wood
& the toys of another world
in which children play with things
our children throw away
& he did calculus
on a table napkin
to prove he had a right to be
halfway from Africa
almost in Europe
in Lampedusa
dear friends our hearts are cold
two hundred years of the Rights of Man
what once was Europe
broke on the Bundesbank
& this storm breaks
on Etna’s ancient lava
it must be cold in Greece now
this wind falling from the white head
of Olympus
chills our old future
everything is different today
no more dreams of Arcady
we are so far from Africa
from Lampedusa
From The Yellow House (2017)
Via Antonio Gramsci
i
a bright line beyond black sea
there are bad days too
on the Levantine Riviera
on Via Antonio Gramsci
dry lightning beyond Punta Chiappa
the boats have their nets out
what fish come to them?
the poet lord was happy on that point
there is a pleasure in the pathless woods
& another in the lonesome shore
oh Byron what a lad
when he was in digs
with Count Suchandsuch
this is before the Russians came
the oligarchs
but essentially the same
in the feudal heat
I love not man the less
up behind us at Saint Prospero
it is vespers
above the bent heads of the monks
furies whirl in the dust
& someone singing Bandiera Rossa
sotto voce
ii
over in Predappio
in the Romagna
they say someone wants
to build a museum
to fascism
as if it were over
asccoltate o popolo ignorante
my father was a fascist
when he was young & ignorant
& went to prison for it
met a communist there
& never went back
though his family didn’t approve
of his conversion to the light
it’s people like me
he used to say
who made all that happen
ordinary people who didn’t understand
who built the tanks
who built the planes
who built the camps
who built the gas chambers
& filled the graves
that Hitler made
but this is Ireland I’m talking about
& we had our fascists too
our petit-Mussolini
& we had Hobson’s choice
vote for the Blueshirts
or vote vote vote for De Valera
also Mother Ireland
giving birth
time after time to the old dead
the undead & the unborn
Lazarus springing forth
every fourth year
with increasing tedium
it’s called public service
though why we should say Mother
& all that family of metaphor
when it is uniformly men
who fucked us up
likewise the old sow
as Joyce would have it
eating her farrow
Ireland is more Kavanagh’s Maguire
pissing in his yard
not Connie Markiewicz
or Mary MacSwiney
all that ignorant goodwill
& nightly arguments
might have been better
because of course Willie
got it wrong
he always did
history is not a gyre to perne in
or a gentleman poet
but an unpleasant relative
always in the bathroom
trying not to be noisy
waiting for a good moment
to cough & flush
& come out
with unwashed hands
as Spaziani says we all have
a peasant grandfather
a suitcase in the attic
tied with rough white string
I come of peasant stock
iii
in London I see ghosts
Uncle JJ out of uniform
his navy kitbag on his shoulder
in Cable Street
& the London underground
but also old Tom Elliot
pursing his lips
at the great unwashed
crossing London Bridge
unreal city
& Dante astray
in rush hour
asking a policeman
the way to Baker Street
the curse of a Christian
Brothers education
better Paddy Kavanagh
in Bayswater
watching the fiddlers
dreaming of home
or my aunt walking to her digs
from St Thomas’
in her nursing cape & titfer
better my sons
freewheeling after midnight
down Tottenham Court Road
or watching the bankers
waving fifties
at the G20
face to face with the police cordon
& the simple structural
violence of the state
& from the shadows
of the money towers
over St Catherine’s Dock
a child waves
the bailiff stalks the land again
the hammer & the ram
the knock on the door at four am
& the knock on the roof
& we are unprepared
to take our third class ticket
to the nineteenth century
where are you now Antonio Gramsci
when we need your like againiv
in the pizzeria this evening
we were the only customers
not members of a building gang
it was very civilised
but where did they come from
their dialects like the susurrus
of swallows’ wings in the early morning
we hear them
strafing the garden
for late-returning mosquitoes
& someone singing Bandiera Rossa
sotto voce
this is our new beginning
between the mountains & the sea
oh such a mighty cap of cloud
from Genova La Superba
to Connemara
all Europe under its shadow
I see the flashing madness & later
I hear the great shaking & rolling
gunfire over the sea
where are you now Antonio Gramsci
when we have need of your like
& someone singing Bandiera Rossa
sotto voce
no one lives in Via Antonio Gramsci
the way lies between two blank walls
traces of old windows & doors
the dirty little beach at one end
the Imperial Hotel at the other
all bougainvillea & trompe l’oeil
& someone singing Bandiera Rossa
sotto voce
we miss the sense of journey
the pleasure of knowing
departures & destinations
the certainty of the struggle
we still have the courage of the fight
but we lack the words to fight with
oh Antonio Gramsci send us
a thousand new words like redshirts
to storm the island of our days
& this time no surrender
a thousand mad bastards
to make a new real
& someone singing Bandiera Rossa
sotto voce
From The Yellow House (2017)
Ghost Estate
women inherit
the ghost estate
their unborn children
play invisible games
of hide & seek
in the scaffold frames
if you lived here
you’d be home by now
they fear winter
& the missing lights
on the unmade road
& who they will get
for neighbours
if anyone comes anymore
if you lived here
you’d be home by now
the saurian cranes
& concrete mixers
the rain greying into
the hard-core
& the wind
in the empty windows
if you lived here
you’d be home by now
the heart is open plan
wired for alarm
but we never thought
we’d end like this
the whole country
a builder’s tip
if you lived here
you’d be home by now
it’s all over now
but to fill in the holes
nowhere to go
& out on the edge
where the boys drive
too fast for the road
that old sign says
first phase sold out
From Ghost Estate (2011)
Job in Heathrow
i
with the frightened crowd
for whom every new alarum
is an authority
queuing in drifts
between levels
the so-called waiting lounges
of the so-called world
the word is out
there are bombs
in the whiskey
no carry on
this is the last straw
& nervous people
& nervous men in stab vests
& nervous men in puffa jackets
& no smoking signs
& this is a silent airport
you pay the man
& you wait for a sign
there the prisoners rest together
the small & great are there
studying departures
in a state of heightened alert
code somewhere close to titian
a man holds his woman in his arms
& another watches the door expectantly
& the enemy comes on his own feet to his grave
we are a trifle unsettled
we think about sodoku & the crossword
as though minding minutiae
the universe will look after itself
this is the world as it is habibi
it’s all we know
try to step off
& the man will bring you down
ii
master I cried
who are these bastards
do we have any idea who these people are
willowy women in Gucci shoes
men in silk leather jackets
they circulate freely
in the recycled air
must we do homage
or will a simple nod be enough
a greeting ex gratia
do they expect to be questioned
to assist enquiries
interrogation
water-boarding even
look here comes one crying
hopeless hopeless hopeless
& are we supposed to sympathise
when the gentry find themselves in the same boat
or plane
as everyone else
or at least in the same lounge
love brought her down she says
according to her biography
it was a chance encounter at a drug-fuelled orgy
in somebody somebody’s motor yacht
the coke blew her away
blew her brains away
& opened her legs
& wore her sinovial membrane down
it all sounds a little hollow now
with the end of the world upon us
& bombs in the whiskey
love love love she says
so much for all you need is love
iii
they come & go like cranes
restless creatures look
& their pale limbs against the azure sky
I see myself in you
a sly oriental craft
sails on the water
& are we supposed to sympathise
& who are these people
extra-communitari
there in the upper circle
the automatic doors
are automatic from the outside only
we see them as it were through a tinted glass
wringing their hands
begging admission
these troublesome ghosts
what was it Marx said in the famous opening
something haunting
a man had his left hand chopped off
for with it he slew his master
& he begged a pipe of tobacco
& then he died
the ultimate manumission
in those days they knew their place
he was a slave & his place of execution
is here
upon this fatal shore or landing
at least Virginia apologised
they come & go like cranes
restless creatures look
& they make their homes in marsh & useless ground
& leave when they can
those Turks Hector & Heraclites
& Euclid the Egyptian
Pythagoras the fundamentalist
& all the gang
Avicenna the metaphysician
thinking about his credentials
they don’t let Uzbekistanis operate on Christians
even in Hell
someone is tuning up
old Ali Farka Touré on the air guitar
a session
come on boys
when did you make a run for it
no running here
cancer of the bones
death comes like ice
the heart of the moon
where you come from they get that
on a bad day as I remember
iv
& somebody says the loo is blocked
dear god
what will they think of next
they’ve closed off the last line of escape
another safety valve
what will become of us
my father gave me Marcus Aurelius
on the last day of my holidays
& the old emperor stood me in good stead you know
communing with himself
at Gallipoli
we ran our ship ashore into the sand
we saw tesseræ in the parados
& I said to my sub I said
six or seven thousand years of this
& here we are again attacking the Turks
will it never end
meaning we the philhellenes
& that idiot Bean
is that a light I see on Tenedos
I’m dying for a smoke dear boy
& I’m too old for this
a decent education makes it all worthwhile
knowing what we know et cetera
this one is a beauty
see how he walks
don’t you love an Arab
oh the Sheik of Araby
if I don’t take a leak
I shall leak
& my sub said to me
an ignorant child
it’s all this Allah business sir
that gets to me
v
that girl bled to death
a million tiny wounds
& everyone said how well she looked
jammed against the partition
her pants still around her knees
a note of caution
peace accursed woolf
or words to that effect
they would not give her the last rites
the blacksuit serpents
mal dare e mal tener
they look after their own
but she is a beauty no mistake
they eat each other
round & round they go
her state is blessed
out of this world at least
poor child
they direct the almighty guns
against self-harmers
she was my daughter
your daughter too
vi
the guards wear sunglasses
a society of spectacles as the man said
like the dark ground of a cameo
except in reverse
their faces are blanked by their eyes
if someone farts we’re dead
see their trigger fingers
& the somnolent insouciance
of the human face
if we had an air force
we would send you bombers
for I do not know whose voice is crying
when I cry
never look back at the border
the furies follow behind
never poke fire with a knife
never piss into the sun
abstain from beans
these few precepts mark you well
what of the isles of the blest
not for us my son
not our kind
they look at us
& we look at them
there’s bush that vicious mole
another non-statement
of what he thinks
another good one about axes
or the coalition of the willing
not the coerced
do we have to have TV everywhere
fly sky news news sky fly
o for a universal remote
please note the automatic doors
are no longer automatic
access to the open areas is restricted
arrivals is closed
all unattended baggage will be destroyed
nervous people
will be arrested
please note
the contrapuntal strains
of childhood & exile
we are all strangers in one sense or another
depending on each other
vii
our children are hungry
they look up
& are not fed
not even a complimentary coke
the cost of living
higher than expected
year on year increases
sometimes out of reach
never easy to make ends meet
but what can you do
the grey wolf
walks the steppes of the heart
every father
every mother
knows the sound of his passing
his fierce eyes
but one day you must let go
you just let go
From Ghost Estate (2011)
The revolution will come
but not here
heads will roll
but not on my watch
and there will be noise
and there will be lamentations
and there will be a better world
and everyone will know
that the bastards got what’s coming
even if new bastards come
they will be our new bastards
and not the old bastards who kept their boots
upon our necks and smiled and smiled
and the air will be cleaner
and the sewers will run red with blood
so much the sea will darken
the whole island surrounded
by the colour of sunset
on a way of life that was not ours anyway
and above all
there will be singing
the invention of entirely new ways
of being together and apart
and new ways of remembering
but not here
From The Yellow House (2017)
The great chorus of individualism
i
in our suburban trailer parks
our caravanserai of permanent buildings
& outhouses & public houses
our fixtures & fittings
our rooted & fortified impermanency
our pastel shades & other troublesome shades
our futures & our children’s futures
& our contracts for difference
our tremulous faith in reserve
our twenty four carat bankruptures
our infantile amnesia
we
ii
the individuals not The People
that troublesome spectre
we the herd but not the crowd
teamwork but not solidarity
moving forward without movements
DIY tycoons & shareholders & placeholders
endlessly repeating the static of our stasis
on talk shows & dumb shows & no-shows
as if it were an ontological proof
that we
iii
in our profound & articulate silence
our chattering night & day classes
& self improvement & self-storage
& our classless societies & private clubs
our spirituality & our charity & our philanthropy
& our coffee mornings
& our bourgeois insensibilities
our givings & our takings & our float
our annual general morality
our accountancy
our Christian ledger & legerdemain
our feel-good factors & motor factors
& our conscientious subjections
& our social unconsciousness
we
iv
we don’t
we don’t give a shit
oh we just don’t go there
you know?
we just don’t
From The Yellow House (2017)
Flight
for Rui Zink
I missed the flight
because of the terror alert
that has terrified everyone
I had some liquid in my pocket
that they thought
might be explosive
just the artificial tears
I have begun to use
because they come easier
& less painfully
& while I waited for my tears
to be decommissioned
the other passengers said
who would think of taking
tears on a journey
during the war on terror
& where did I think I was going
& who would I use them on
From Ghost Estate (2011)
We imagine the police
We imagine the police
‘In the dark times, will there also be singing?
Yes, there will be singing
About the dark times.’
Bertolt Brecht, ‘Motto to the ‘Svendborg Poems’
we imagine the police
cameras catching other people
doing things that irritate us
in their cars
this is the police state
of mind
& we are sensible citizens
of the commonsense
as we shop in the late evening
in the supermarket
that never closes
not even for God
& we try to remember what we want
& we try to buy only what we need
& desire keeps getting in the way
we genuflect
before other people’s shopping
in aisles sacred
to the memory of home
cooking & detergent
& the kind of things your mother baked
& as we are occasionally electrocuted
by the metal
we begin to believe
that bread belongs to today
that there are different qualities of white
that there are no preservatives
that the meat
is prime
& the supermarket cares for us
& that every little helps
it is chip & pin
in the late evening
under the watchful eyes
we imagine
people using our cards
to buy things we would never buy
in places we have never been
on a day or days
without our express
permission
this is the police state
of mind
as we drive home in the night
with a car full of things
we scarcely believe are real
our past haunted by
kitchen paper rolls
cans of asparagus tips
stick & click LED lights
mosquito candles in case
we get global warming soon
disposable barbecues
fruit psychosis
& probiotic yoghurt
& canned salmonella
& thawing petits-pois
& lawn weed ‘n’ feed
& a nest box
& a special kind of notepaper
that has forget-me-nots
& a memory stick
& a device for opening
reluctant cardboard cartons
& a fold up tent
for when we fold our tent
& a wallet-full of promises
that there will still be shopping
no matter how dark the time
From Ghost Estate (2011)